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Radnorshire Fine Arts Ltd
Tel01982 570768Please quote Antiques Atlas.
The Setters Facsmiles Drawing By E, Landseer R.A
Californian Prison Art San Quentin & Solano
Georgian Drawing Gisborne Court Cambridge College
Decorative Collection Of C18th Sketches
SVEN BERLIN (1911-1999) "Rosebud" Ink Drawing
Study of a Seated Man with Right Arm Raised c.1860
Study of a Woman with Both Arms Raised c.1860
Study of a Man Wearing a Robe - European c.1860
Study of a Head of a Man - European School c.1860
Study of a Head of a Man - European School c.1860
Studies of a Head and Hands Holding a Crown c1860
Studies of Two Heads - European School c.1860
Non UK callers :
+44 1982 570768
Duncan Grant (1885-1978)
Paul Roche. (1916-2007).
Signed with initials and dated 49.
Watercolour, black ink, pastel and coloured chalks on paper.
Framed and Glazed.
The figure depicted in the picture is Paul Roche known for his relationship with Duncan Grant, whom he met while crossing the road at Piccadilly Circus in 1946. At the time Roche was serving as a curate at St Mary's, Cadogan Gardens, a Roman Catholic church. They spent the evening drinking rum and looking at pictures, and soon they were seeing each other regularly, Roche posing for paintings. The relationship was to last - albeit for some of the time at a distance - until Grant's death in 1978.
Grant was born at Rothiemurchus, Inverness-shire, the son of Major Bartle Grant and Ethel McNeill. His childhood was spent in India. He returned to Britain in 1893. Although his family intended him to have an army career, he took up painting at the encouragement of the French painter Simon Bussy, entering the Westminster School of Art, London, in 1902. He spent 1902-3 in Italy, where he copied Masaccio. He attended Jacques-Emile Blanche's school, La Palette, in Paris in 1906-7, before returning to London to spend one term at the Slade School of Art. Through Bussy he met Matisse in 1909. He subsequently set up his own studio in Fitzroy Square, London. He visited Greece in 1910, and frequently visited Paris before the war, making several visits to Picasso's studio.
Grant was a central figure in the circle of artist and writers known as Bloomsbury, which included Grant's cousin Lytton Strachey, Maynard Keynes, Roger Fry, Virginia and Leonard Woolf, Virginia's sister the painter Vanessa Bell and Vanessa's husband the critic Clive Bell. Grant and Vanessa Bell were closely associated in their professional and personal lives for more than fifty years. In 1913 Roger Fry founded the Omega Workshops, of which Grant and Vanessa Bell were directors. The workshops produced antique furniture, pottery and textiles designed by various young artists including Grant and Bell themselves. The Omega Workshops closed in 1919. In 1916 Grant and Bell moved to Charleston near Firle, Sussex. They had a daughter Angelica in 1918. Together they decorated several houses, including Charleston, and carried out other commissions, including decorations for the church at Berwick, near Firle (1943).
Grant exhibited at the New English Arts Club from 1909 and the Friday Club (founded by Vanessa Bell) from 1910. He became a member of the Camden Town Group in 1911. In 1913 he exhibited with the Grafton Group, whose members included Fry, Bell and Wyndham Lewis. Influenced by the works of the Fauves and C-23zanne in the first Post-Impressionist Exhibition of 1910-11, Grant contributed to its successor in 1912. He participated in the Twentieth-Century Art show at the Whitechapel Gallery, London, in 1914. He became a member of the London Group in 1919. His first solo show was held at the Carfax Gallery in 1920. He was a member of the London Artists' Association from 1929 to 1931. He was represented at the Venice Biennale in 1926 and 1932, and his work was included in the Coronation Exhibition of Contemporary British Artists at Agnew and Sons, London, in 1937. He designed sets and costumes for various theatrical productions. A retrospective of Grant's work was held in 1959 at the Tate Gallery, with subsequent Arts Council tour. He was given a retrospective at Wildenstein & Co., Ltd., London in 1964, a two-person show with Bell at the Royal West of England Academy, Bristol, in 1966, an Arts Council tour in 1969, and solo shows at the Anthony d'Offay Gallery, London, in 1972 and 1975. In 1975, in honour of his ninetieth birthday, exhibitions were held at the Tate Gallery and the Scottish National Gallery of Modern Art.
PriceSOLD DimensionsImage 15 x 10 7/8 in. (38 x 27.8 cm.) Frame 23 5/8 x 19 1/8 in. (61 x 48.7 cm.) Date 1949 1940s Antiques Material Paper Origin British Artist Duncan Grant Condition Very Good Item code as176a098 Status Sold
SellerRadnorshire Fine Arts Ltd
View all stock from
Radnorshire Fine Arts Ltd
Private dealer
By appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
Signed with initials and dated 49.
Watercolour, black ink, pastel and coloured chalks on paper.
Framed and Glazed.
The figure depicted in the picture is Paul Roche known for his relationship with Duncan Grant, whom he met while crossing the road at Piccadilly Circus in 1946. At the time Roche was serving as a curate at St Mary's, Cadogan Gardens, a Roman Catholic church. They spent the evening drinking rum and looking at pictures, and soon they were seeing each other regularly, Roche posing for paintings. The relationship was to last - albeit for some of the time at a distance - until Grant's death in 1978.
Grant was born at Rothiemurchus, Inverness-shire, the son of Major Bartle Grant and Ethel McNeill. His childhood was spent in India. He returned to Britain in 1893. Although his family intended him to have an army career, he took up painting at the encouragement of the French painter Simon Bussy, entering the Westminster School of Art, London, in 1902. He spent 1902-3 in Italy, where he copied Masaccio. He attended Jacques-Emile Blanche's school, La Palette, in Paris in 1906-7, before returning to London to spend one term at the Slade School of Art. Through Bussy he met Matisse in 1909. He subsequently set up his own studio in Fitzroy Square, London. He visited Greece in 1910, and frequently visited Paris before the war, making several visits to Picasso's studio.
Grant was a central figure in the circle of artist and writers known as Bloomsbury, which included Grant's cousin Lytton Strachey, Maynard Keynes, Roger Fry, Virginia and Leonard Woolf, Virginia's sister the painter Vanessa Bell and Vanessa's husband the critic Clive Bell. Grant and Vanessa Bell were closely associated in their professional and personal lives for more than fifty years. In 1913 Roger Fry founded the Omega Workshops, of which Grant and Vanessa Bell were directors. The workshops produced antique furniture, pottery and textiles designed by various young artists including Grant and Bell themselves. The Omega Workshops closed in 1919. In 1916 Grant and Bell moved to Charleston near Firle, Sussex. They had a daughter Angelica in 1918. Together they decorated several houses, including Charleston, and carried out other commissions, including decorations for the church at Berwick, near Firle (1943).
Grant exhibited at the New English Arts Club from 1909 and the Friday Club (founded by Vanessa Bell) from 1910. He became a member of the Camden Town Group in 1911. In 1913 he exhibited with the Grafton Group, whose members included Fry, Bell and Wyndham Lewis. Influenced by the works of the Fauves and C-23zanne in the first Post-Impressionist Exhibition of 1910-11, Grant contributed to its successor in 1912. He participated in the Twentieth-Century Art show at the Whitechapel Gallery, London, in 1914. He became a member of the London Group in 1919. His first solo show was held at the Carfax Gallery in 1920. He was a member of the London Artists' Association from 1929 to 1931. He was represented at the Venice Biennale in 1926 and 1932, and his work was included in the Coronation Exhibition of Contemporary British Artists at Agnew and Sons, London, in 1937. He designed sets and costumes for various theatrical productions. A retrospective of Grant's work was held in 1959 at the Tate Gallery, with subsequent Arts Council tour. He was given a retrospective at Wildenstein & Co., Ltd., London in 1964, a two-person show with Bell at the Royal West of England Academy, Bristol, in 1966, an Arts Council tour in 1969, and solo shows at the Anthony d'Offay Gallery, London, in 1972 and 1975. In 1975, in honour of his ninetieth birthday, exhibitions were held at the Tate Gallery and the Scottish National Gallery of Modern Art.
PriceSOLD DimensionsImage 15 x 10 7/8 in. (38 x 27.8 cm.) Frame 23 5/8 x 19 1/8 in. (61 x 48.7 cm.) Date 1949 1940s Antiques Material Paper Origin British Artist Duncan Grant Condition Very Good Item code as176a098 Status Sold
View all stock from
Radnorshire Fine Arts Ltd
Private dealerBy appointment only
Powys
Mid Wales
Tel : 01982 570768
Non UK callers : +44 1982 570768
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Study of a Seated Man with Right Arm Raised c.1860
Study of a Woman with Both Arms Raised c.1860
Study of a Man Wearing a Robe - European c.1860
Study of a Head of a Man - European School c.1860
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Studies of a Head and Hands Holding a Crown c1860
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