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British Oil Painting Flowers Pansy's & Daisies

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British Oil Painting Flowers Pansys & Daisies art  still life Elizabeth Bridge %%alt5%% %%alt6%%
1 Fine British Work of Art Oil Painting Still life Flowers Pansy's & Daisies By Elizabeth Bridge RI ROI 1912-1996.
Subject still life of beautiful mixed flowers pansy's & daisies.
Oil on Winsor & Newton Rathbone canvas board.
Set in a beautiful decorative original gilt frame.
Signed bottom corner Bridge by the artist Elizabeth Bridge.
Artist biography Bridge, Elizabeth (1912-1996).
Elizabeth Bridge was born in Golders Green, Middlesex on 30th July 1912 to William and Clara Bridge (née Dewdney), the eldest of four children and the only daughter. Her father, William Alfred Bridge was an accomplished cellist and the brother of renowned composer Frank Bridge. Her mother, Clara, was a contralto singer who, prior to her marriage to William, had performed professionally. According to a local newspaper article of the time, she and William were both soloists in a concert at the Dome, Brighton, in 1906. They were married in Steyning, East Sussex in 1911.
Despite her musical heritage, the young Elizabeth was more taken with painting: ‘For my third birthday, my mother gave me a box of watercolours. That was the start of my love affair with painting’ (Angela Raby, 1999, unpaginated). This love of painting endured throughout her childhood and her education at Hendon County School, and, in 1928, at the age of 17, she won a scholarship to Hornsey School of Art. During her three years of study, she became devoted to painting and determined to earn her living through her art.
Upon her graduation in 1931, the Head of the school wrote an introductory letter to the artist, Joseph ‘Jossie’ Greenup, highly recommending Elizabeth. This instigated a lifelong friendship with the Greenup family and particularly with Jossie’s wife, May. Later the same year, Elizabeth began to work in his studio, modelling for his nude paintings and sitting for his celebrated portrait Distant Horizons. At the time, Jossie was commissioned to produce illustrations for Pearson’s Magazine, which Elizabeth assisted with as well as painting. She is also recorded as being a freelance painter during this period.
In 1939, when the war broke out, Elizabeth joined the London Auxiliary Fire Service as a full-time auxiliary. She was based at the West End and Hampstead stations and served throughout the war, painting when her shifts of 48 hours on and 24 hours off allowed. She focused on her flower studies, developing her sensitive style and soft palette, and beginning to sell them through Mr Dingley’s Gallery in Golders Green. She was left bereft when two of her younger brothers, Basil and John, were tragically killed whilst serving in the RAF. Her youngest brother Richard, was still at school in 1939, when the war began.
Elizabeth first exhibited at the Royal Academy in 1947 with a painting entitled Winter Sweet. She made regular trips to London and, in 1948, had her first solo show at the Foyles Gallery. Her flower paintings had become an increasing commercial success since the late 1930's when Valentines of Dundee used them on their greetings cards and four members of the Royal Family chose them at Christmas. Her successes continued when she was elected to the Royal Institute of Painters in Watercolour in 1950 and later the Royal Institute of Oil Painters. In a short autobiographical note written in 1970, Elizabeth listed the prestigious institutions at which she had exhibited, revealing the versatility of her talent: ‘Royal Scottish Academy, Paris Salon [where she received an honourable mention], Society of Women Artists, United Society of Artists, National Society of Artists and Industrial Painter’s Group etc.’ She continued to exhibit at the RA until 1966, seeing a total of eight of her paintings being shown in the intervening years between then and 1948.
Elizabeth and May spent seven productive years in Wales where Elizabeth exhibited at the Royal National Eisteddfod and expanded her landscape repertoire, but they returned to the Cotswolds in the early 1970's. She continued to paint until her last illness, in 1996 she died peacefully at home in Broadway, at the age of 84. Elizabeth’s ashes were scattered by May at the source of the River Windrush, which flowed through the Cotswold Hills and into London tracing back the trajectory of their happy lives together.
After her death, for unknown reasons, all records of Elizabeth’s expansive sixty-year career were destroyed. This biography owes much to Angela Raby’s The Forgotten Service and her biographical notes on May and Jossie Greenup as well as Elizabeth. As Greenup’s niece, Angela Raby wrote of the pair: ‘May and Elizabeth lived together from 1946 until 1996. Their friendship from the early thirties until Elizabeth’s death was enduring. May requested that Elizabeth’s story was told alongside her own.’ In 1997, a large group of her paintings were sold at auction, many of their whereabouts remain unknown.
Further Reading:
Angela Raby, ‘The Forgotten Service: Auxiliary Ambulance Station 39 (After the Battle)’, privately published, 1999 Angela Raby, ‘Biographical Notes on Joseph ‘Jossie’ Greenup, May Greenup and Elizabeth Bridge’, 1999 (Held in The Women’s Library, London School of Economics).
An exceptional sought after collectible artwork.
Set in a traditional stylish gilt frame.
Circa late 20th century.
Provenance label verso, artwork numbered 1055160-2.
Such a delightful scene to the eye a great conversation piece.
Highly sought after due to the collectible nature of subject still life floral matter such elaborate detail.
With hanging thread on the back ready for immediate home wall display.
Incredible conversation piece for your guests.
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Price
£1250.00  UK
$1573.63  USA
1453.63  EU
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 The price has been listed in British Pounds.
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Cheshire Antiques Consultant operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs clearance and any other charges which may be necessary to release an order from international customs.
Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.
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Terms and conditions
For International buyers please contact us before you order as shipping costs are additional please request a shipping quote, also to advise that any import duty taxes due are additional and are payable by the buyer.
For both domestic & International buyers please get in touch for a shipping quote thankyou. Our primary preferred payment method is by BACS Bank Transfer for UK domestic clients and for International clients payment is preferred by international bank wire transfer.

For International buyers Payment is required within 3 calendar days of the sale being agreed. International transfers are required within 5 days of point of sale.

If payment is not received within this time. Cheshire Antiques Consultant reserves the right to consider selling the item (s) to another customer at its discretion.

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Returns are accepted within 14 days of receipt. The buyer is solely responsible for paying the entire costs of the outbound & return shipping costs also any import costs & duty taxes due. Return authorisation should be requested by sending an email before posting. Once we receive the item in good order as supplied not withstanding notified transit damage, we will return partial refund payment using the same payment method less our shipping costs. For any Refunds given the refund amount will have our cost of the outbound shipping costs deducted.

Customs Payment & Brexit
Cheshire Antiques Consultant operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs which may be necessary to release an order from international customs.
Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.
If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.
DimensionsDimensions in centimetres of the frame approximate High (44cm) Wide (33.5cm) Depth thickness of frame (2cm) Date late 20th century   1970s Antiques Material Oil Painting on Board Origin English Condition Condition report. Offered in fine used condition. Front painting surface in good order. Having some craquelure, paint loss, stains, foxing in place. The frame has general wear, scuffs, stains & some losses, chips commensurate with usage & age. Item code as1013a684 Status For Sale

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