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Agnes Miller Parker (1895–1980)

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Agnes Miller Parker (1895–1980)
Codfish (1929)
Wood engraving on smooth white Japan paper, watermarked Alexandra
Signed and inscribed in pencil Codfish 5/50 1929. - A Miller Parker
Good impression from the edition of 50 signed and numbered proofs, slight abrasion to surface (centre left.)
Mounted

Re Later used as frontispiece in British Handicrafts 1943
Provenance Estate of the artist, thence by descent in the family

Born in Irvine, Ayrshire, and trained at the Glasgow School of Art, Agnes Parker's work is personal and memorable, while her technique is unusally simple, comprising the basic line and the dot typical of copper engravings. Although the majority of her woodcuts were for books, particularly 'The Private Press', there are in existence some prints standing as autonomous works of art, she also engraved some colour blocks. Agnes studied at the Glasgow School of Art from 1911 to 1917, and joined the staff of the School for a short period. she married fellow artist William McCance in 1918 and thereafter passed most of her career in London and southern Britain. In 1955 she moved to Glasgow. She then lived at Lamlash on the Isle of Arran. Parker's early paintings, as well as those of her husband, reflect the short-lived group of artists known as Vorticists, active in London in the 1920s. The main body of her work consists of wood engravings for book illustrations. She illustrated The Fables of Aesop (1931), Through the Woods by H. E. Bates (1936), The Open Air by Richard Jefferies (edited by Samuel J. Looker, 1949) and her most acclaimed work, Elegy Written in a Country Churchyard by Thomas Gray (1938), titles for the Limited Editions Club of New York and editions of the works of Shakespeare and Thomas Hardy. She died in 1980 at Greenock.
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CONDITION AND PRESENTATION
In our description, if a picture is shown to be framed then the frame will be included with the sale of the picture. Unless stated otherwise all unframed watercolours, drawings and prints have been mounted onto acid-free conservation board using either Japanese hinging paper or reversible wheat starch past. Unframed and mounted pictures are then wrapped in clear polyester film to protect both the picture and the mount. All conservation work has been carried out by accredited conservators.
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DimensionsSheet 240 mm. x 180 mm. Image 157 mm. x 105mm. Mount 426 mm. x 311 mm. Date 1928  1920s Antiques Material Paper Origin British Artist Agnes Miller Parker Condition slight abrasion to surface (centre left.)This print has been cleaned and mounted by an accredites paper conservator Item code as176a382 Status Sold

SellerRadnorshire Fine Arts Ltd

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Radnorshire Fine Arts Ltd


Radnorshire Fine Arts LtdPrivate dealer
By appointment only
Powys
Mid Wales

Tel : 01982 570768

Non UK callers : +44 1982 570768
 
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Agnes Miller Parker (1895–1980)
 
as176a382
 


 
 






 

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